I did
not expect
Van
Morrison to greet me
in the
surgery.
Lying
flat on my
back in
the haze of incense,
no
damn patchouli,
I
thought I’d have to
genuflect
on marble
in
humble homage.
Tupelo
Honey
plays among blue-masked surgeons
-
they might have been green.
A
music countdown
begins
to remove me from
the
scene, looking at
the dancing
doctor
lip
syncing in his disguise,
cradling
a power saw.
Van
sings, I depart
the
seven middle oceans
of
the deep blue sea.
The
room where they cut
you
is cold, preserve the flesh
at
all decent costs.
Cold
and proper, a
cold
steel saw cuts bone from bone,
upper
and lower
legs,
separating
what
was joined in the womb,
worn
daily in life.
Sensible
degrees
are
dropped in a swap of
man-made,
God-given,
a
shotgun marriage,
titanium
and plastic
cemented
to bone,
polished
dead metal
inserted
through a zipper
of
flesh and staples.
I
meant to ask if
they
played Van through every
cut,
cry of my leg
while I slept under
general anaesthesia,
the dream of nothing.
But pain speaks before
any more songs can be sung from
a mouth in anguish.
while I slept under
general anaesthesia,
the dream of nothing.
But pain speaks before
any more songs can be sung from
a mouth in anguish.
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